With Cable making his film debut in Deadpool 2, where he’ll be played by Josh Brolin, you might be asking, “Who is Cable and why should I care?”
We’re here to give you a clear, concise rundown of the history of Nathan Christopher Charles Summers…ha! Almost got it out with a straight face. The reality is Cable is a continuity black hole, but there’s a reason why he’s enduringly popular – and here it is in one sentence:
He’s a badass soldier from the future.
That’s the core of his appeal. There are layers (and layers and layers and layers… good heavens are there layers) added over that, but at his core, he’s always just been a badass soldier from the future trying to build a badass army to prevent his awful future from coming to pass.
Cable was introduced in 1990 to be a new mentor to the second generation of X-students, the New Mutants. He was more militaristic than his predecessors: Charles Xavier, the secretly monstrous founder of the Xavier school, and Magneto, the surprisingly incompetent reformed nemesis. He also showed up packing heat – he was covered in giant guns to the point where he eventually became a parody/poster child for the excesses of ’90s comics. But at the same time, he was placed at the center of the third age of X-Men comics, one defined by Apocalypse and soapy family relationships.
Cable was eventually revealed to be Nathan Christopher Summers, the child of Cyclops and Madelyne Pryor, taken into the future to save his life after he was infected with a virus that caused his body to morph into a pile of loose technology. While there, he discovered that he was destined to take down Apocalypse, the near-immortal mutant who eventually takes over the world and turns it into a Darwinist hellscape. He jumps back in time and takes control of the New Mutants to help further that goal.
He becomes an interesting case study in comics storytelling – almost a decade after his first introduction, he actually succeeds in destroying Apocalypse and averting his terrible future (don’t worry, it’s comics: Apocalypse gets better). That set him adrift for a little while, but his core stayed the same. He was a badass soldier from the future, and he stayed that way whether he was fighting brushfire wars in eastern Europe, protecting a mutant messiah as they’re chased through the future like it’s Lone Wolf and X-Cub, or saving the world with his omega level telepathy and telekinesis after his techno-organic virus was completely cured.
His link to Deadpool comes mostly from two things: they were both created by Rob Liefeld around the same time, and they shared the headlining role in one of Marvel’s better mainline hero books of the aughts, Cable and Deadpool. In that, Nate was mostly just the straight man in a straightforward superhero action/humor comic. Deadpool would do his thing (Bugs Bunny with an arsenal) while Cable did his (overpowered messiah saving the world with over-the-top action). It was a solid examination of some of Cable’s more absurd character elements, while also being a good, epic X-Men comic.
Most recently, Cable had a new series announced at Marvel. In it, he’ll be (wait for it) a badass soldier from the future, jumping through time to protect the timestream. So it looks like they see what we’ve been enjoying, too.
– In the Age of Apocalypse, Nate Grey was a clone made by Mr Sinister to eventually challenge Apocalypse’s dominance. He was shunted to the 616 reality at the end of that mini-event and served no purpose in the main universe for a little while, until he was later reimagined as a weird mutant shaman and continued to serve no purpose but without being a direct rip on Cable.
– Ultimate Cable is genuinely funny. The Ultimate Universe was a stripped down version of the main Marvel universe, a direct response to ’90s excesses in convoluted continuity and overused guest appearances. With that in mind, Ultimate Cable was actually a future version of Wolverine.
– Cable also appeared as a playable character in Marvel Vs Capcom 2. He had a giant gun beam spam move, and anyone who chose him was of loose morals.
– New Mutants #87 – Cable’s first appearance. It’s easy to see why he got so many people pumped. Rob Liefeld’s art, while objectively terrible, was also full of energy and enthusiasm and a lot of fun to look at.
– X-Cutioner’s Song – This 1992 X-Men crossover is almost entirely gibberish. This is where the Summers connection was revealed, and it was all about Cable, Stryfe, Cyclops, Jean, and Apocalypse. The art, however, is actually pretty good. It’s got early Jae Lee, Greg Capullo, Andy Kubert ,and Brandon Peterson, and they do a great job of giving the reader something to do besides get a headache trying to chart a family tree.
– The Twelve – Again, this is not a good comic, but it’s the pivot point of Cable’s story: here is where he stopped being Apocalypse’s nemesis and started being an ex-messiah.
– Cable & Deadpool – This is where people started taking Cable seriously again. It was a fun, fairly uncomplicated superhero book that had great Deadpool moments, and did a lot of good character work on Nate.
– Messiah Complex, Cable (vol. 2), Messiah War, and X-Men: Second Coming – This is my personal favorite era of X-Men comics. The three big crossovers are all very good, and focused on Cable and Hope. Cable’s solo book is also excellent, and you get some really good Badass Nathan Summers stuff in all of these.
– X-Force vol. 4– Simon Spurrier is a madman. This series is like if Grant Morrison played with Transformers as a kid: it’s got a vivid ‘80s feel to it, but it’s just weird and good. This series prominently features a character whose mutant power is you forget about him if you’re not looking directly at him. And it has Dr. Nemesis, who is hilarious.
– Uncanny Avengers – Gerry Duggan’s latest version of the X-Men/Avengers hybrid team has actually morphed into a follow up to Cable & Deadpool. It’s a straightforward superhero action book, but it’s got good character bits and is almost Busiek-like in its appreciation of Avengers and X-Men continuity.